Parents Music Resource Center

The Parents Music Resource Center (PMRC) was an United_States committee formed in 1985 by the wives of several congressmen. They included Tipper Gore (wife of Senator and later Vice President Al Gore); Susan Baker, wife of Treasury Secretary James Baker; and Nancy Thurmond, wife of Senator Strom Thurmond. Their mission was to educate parents about alarming trends in popular music. They claimed that Rock and roll encouraged/glorified violence, Recreational drug use, suicide, criminal activity, etc. and sought the censorship and/or rating of music.

Proponents of the PMRC claimed that the change in rock music was attributable to the decay of the nuclear family in America. They said that since there was little stability in the family, children were forced to turn to outside influences, and thus were greatly vulnerable to corruption. As a method of combating these problems, the PMRC suggested labeling records that contained explicit lyrics or content . They said that it was a method of warning parents of dangerous material before their children listened to it. They pressured the Recording Industry Association of America (RIAA) into requiring that labels be put on all records containing explicit content. The RIAA resisted their pleas.

Opponents of the PMRC (most notably Frank Zappa, Dee Snider, and Jello Biafra) said that the problem with record labeling was that it violated First Amendment rights and that there was no one definition for moral standards . They also argued that many of the supporters of the PMRC were not set only on labeling, but on controlling (or even banning) records with explicit content. (Later, other musicians also criticized the PMRC, including Megadeth and Rage Against the Machine).

On .

Zappa also pointed out in media interviews that neither comedy records nor country music recordings were being subjected to the same call for warning labels in the proposal, despite the latter genre being rich with examples of references to whiskey, sex, divorce, hellfire and the devil.

There was a blank media tax bill pending in Congress which would levy a tax on cassette tapes as compensation for lost royalties. In the era just before the battles of filesharing and the internet, lobbyists for the recording industry were accepting labeling in return for the enactment of a blank media excise tax to be levied on everyone who purchased blank tapes.

The corporate and Congressional justification for this was allegedly to recoup money that was perhaps to be lost in the age of digital recording where analog generations of quality via copying become moot. And the price of blank media would increase exponentially. The RIAA and other industry associations were, as Zappa pointed out giving away the rights of a third party (the consumer) without their permission. The same corporate welfare arguments found their way into the Digital Millennium Copyright Act legislation.

On November 1, 1985, before the hearing even ended, the RIAA agreed to put labels on those records containing what the PMRC saw as explicit content. Many record stores refused to sell albums containing the label (most notably Wal-Mart), and others limited the sale of those albums to minors. The label became known as the Tipper sticker . Some politicians attempted to criminalize the sale of explicit records to minors, and others went so far as to try to ban such records. However, the power of the PMRC has greatly declined in recent years, especially with the growing popularity of rap and Heavy metal music (popular targets of the PMRC). Still, the RIAA encourages the labeling of any album containing explicit lyrics.

Notable snippets of audio from the hearing found their way into Zappa s audiocollage Porn Wars , released on the Frank Zappa Meets the Mothers of Prevention album. Senators Al Gore, Fritz Hollings, Slade Gorton, Paula Hawkins, and others appeared. The album cover featured a bitingly sarcastic parody of the RIAA warning label.

The Megadeth song Hook In Mouth from their 1988 album So Far, So Good... So What! was highly critical of the PMRC, comparing them to the Orwellian state of Nineteen Eighty-Four .

On July 18, 1993, Rage Against the Machine protested against the PMRC at Lollapalooza III by standing naked onstage with duct tape covering their mouths and the letters PMRC on their chests.

= The Filthy Fifteen list =

In 1985, the PMRC published its infamous Filthy Fifteen list of songs that were on top of the PMRC s hit list and what they determined the songs were about.

== External links ==

*[http://www.philagora.org/about-the-world/pmrc1.htm History of the PMRC by Claude Chastagner]